Jewish Biographies

Sunday, February 2, 2014

A00033 - Bruno Mars, American Singer, Songwriter, and Record Producer

Peter Gene Hernandez (born October 8, 1985), known by his stage name Bruno Mars, is an American singer-songwriter and record producer. Born and raised in Honolulu, Hawaii, by a family of musicians, Mars began making music at a young age and performed in various musical venues in his hometown throughout his childhood. He graduated from high school and moved to Los Angeles to pursue a musical career. Mars produced songs for other artists, joining production team The Smeezingtons.
Mars had an unsuccessful stint with Motown Records, but then signed with Atlantic in 2009. He became recognized as a solo artist after lending his vocals to the songs "Nothin' on You" byB.o.B, and "Billionaire" by Travie McCoy, which were worldwide hits, and for which he co-wrote the hooks. He also co-wrote the hits "Right Round" by Flo Rida featuring Ke$ha, and "Wavin' Flag" by K'naan, allowing him to work with an assortment of artists from various genres. Mars' debut studio album, Doo-Wops & Hooligans (2010), peaked at number three on the Billboard200,[3] anchored by the worldwide number-one singles "Just the Way You Are" and "Grenade", as well as by the hit single "The Lazy Song". The album was nominated for seven Grammy Awards, winning Best Pop Vocal Performance for "Just The Way You Are". His second album, Unorthodox Jukebox (2012), peaked at number one in the United States.[4] The album spawned the international hit singles "Locked Out of Heaven", "When I Was Your Man" and the moderate hit success "Treasure".
Throughout a singing career spanning 3 years, he has sold 10 million albums[5] and 58 million singles worldwide.[6] Including not only his work as a singer but as a songwriter and producer as well, his total single download sales surpass 115 million worldwide.[7] He has achieved a total of five number one singles on the Billboard Hot 100 chart and seven top ten singles, as a solo artist placing himself in the record books by being the second solo artist to do so after Richard Marx. He reached first place with "Just the Way You Are", which sold 12.5 million copies and contributed to Mars becoming the best-selling digital artist in 2011.[8] In 2011, Mars was named one of Time Magazine's 100 most influential people in the world.[9] In 2014, he was ranked number one on the Forbes 30 under 30 list.[10]

Contents

  [hide] 
  • 1 Life and career
    • 1.1 1985–2003: Early life and musical beginnings
    • 1.2 2004–10: Production work and It's Better If You Don't Understand
    • 1.3 2010–2012: Doo-Wops & Hooligans
    • 1.4 2012–present: Unorthodox Jukebox
  • 2 Artistry
    • 2.1 Influences
    • 2.2 Voice and music
    • 2.3 Videos and stage
  • 3 Statements on racism
  • 4 The Hooligans – Band members
  • 5 Legacy
  • 6 Honors and awards
  • 7 Other ventures
    • 7.1 Endorsements
  • 8 Discography
  • 9 Filmography
    • 9.1 Film
    • 9.2 Television
  • 10 Tours and residency shows
    • 10.1 Concert tours
    • 10.2 Residency shows
  • 11 See also
  • 12 References
  • 13 External links

Life and career

1985–2003: Early life and musical beginnings

Bruno Mars was born Peter Gene Hernandez on October 8, 1985, in Honolulu, Hawaii, and was raised in the Waikiki neighborhood of Honolulu. He is the son of Peter Hernandez and Bernadette "Bernie" San Pedro Bayot (died June 1, 2013).[11][12] His father is of half Puerto Rican and half Jewish (from Hungary and Ukraine) descent, and is originally from Brooklyn, New York.[13][14] Mars' mother immigrated to Hawaii from the Philippines as a child, and was of Filipino, and some Spanish, descent.[13][15][16] His parents met while performing in a show, where his mother was a hula dancer and his father played percussion.[14] At the age of two, he was nicknamed "Bruno" by his father, because of his resemblance to legendary professional wrestler Bruno Sammartino.[17][18][19]
Mars is one of six children and came from a musical family who exposed him to a diverse mix of reggae, rock, hip hop, and R&B.[20][21] In addition to being a dancer, his mother was a singer and his father used his musical ability to perform Little Richard rock and roll music.[22] Mars' uncle was an Elvis impersonator, and encouraged three-year-old Mars to perform on stage as well. Mars also performed songs by artists such as Michael Jackson, The Isley Brothers, and The Temptations.[18] At age four, Mars began performing five days a week with his family's band, The Love Notes, in which he became known on the island for his impersonation of Presley.[23] In 1990, Mars was featured in MidWeekas "Little Elvis", going on to have a cameo in the film Honeymoon in Vegas in 1992.[18][24]
His time spent impersonating Presley had a major impact on Mars' musical evolution and performing techniques.[25] He later began playing guitar after drawing inspiration from Jimi Hendrix.[26] In 2010, he also acknowledged his Hawaiian roots and musical family as an influence, explaining, "Growing up in Hawaii made me the man I am. I used to do a lot of shows in Hawaii with my father's band. Everybody in my family sings, everyone plays instruments...I've just been surrounded by it."[27] In 2003, shortly after graduating from President Theodore Roosevelt High School at the age of 17, Mars moved to Los Angeles, California, to pursue a musical career.[18][24] He adopted his stage name from the nickname his father gave him, adding "Mars" at the end because "I felt like I didn't have [any] pizzazz, and a lot of girls say I’m out of this world, so I was like I guess I'm from Mars."[28]

2004–10: Production work and It's Better If You Don't Understand

"I'd always been a working musician in Hawaii and never had problems paying rent. And then it's like, 'Now I'm in L.A. and my phone's getting shut off.' That's when reality hit. I started DJing. It was something silly. I told this person I could DJ because they said they could pay me $75 cash under the table. I didn't know how to DJ. I lost that job pretty quick."
—Mars, speaking about his experiences of moving to Los Angeles to pursue a musical career.[29]
Shortly after moving to Los Angeles, Mars signed to Motown Records in 2004, in a deal that "went nowhere".[30] However, Mars' experience with Motown proved to be beneficial to his career when he met songwriter and producer Philip Lawrence, who was also signed to the label.[30] After Mars was dropped by Universal Motown, less than a year of being signed, he stayed in Los Angeles and landed a music publishing deal in 2005 with Steve Lindsey and Cameron Strang at Westside Independent.[31][32]
"Bruno came to the conclusion that the best way to further his career was writing and producing hit songs."
—Cameron Strang, speaking about developing Mars' career.[32]

During Mars' career beginnings, Lindsey, who showed Jeff Bhasker and Mars the ins and outs of writing pop music, acted as a mentor to Mars and helped him to hone his craft. Bhasker, who had met Mars throughMike Lynn (the A&R at Dr Dre's Aftermath Entertainment who first heard Mars' demo tape through his sister and flew him to LA), noted to American Songwriter that: "He’d mentor us, and kind of give us lectures as to what a hit pop song is, because you can have talent and music ability, but understanding what makes a hit pop song is a whole other discipline."[31][32][33] Steve Lindsey was responsible for "[holding] Bruno Mars back for five years while they learned an extensive catalog of hit music."[31]
When Philip Lawrence was first asked to meet Mars he was reluctant to do so, since it would cost him everything he had to go there. Keith Harris, drummer for The Black Eyed Peas,[34] told him, "Whatever it costs you to get out here, I’ll reimburse you." Lawrence responded, "Just give me five dollars back for the bus." They started working together and writing songs for Mars, but they received many rejections from labels. This made them think that they were not good enough and they were considering moving back to their home towns. However, in the same week, they got a call from Brandon Creed (Mars' manager) who was A&Ring a reunited Menudo who needed songs. He liked their song "Lost", which was written for Mars. The duo didn't want to give the song away, but when they were offered $20,000 for the song, they were so surprised that they said "You can have that one and whatever else you need!" It was that call that saved them, allowing them to stay in LA a little bit longer.[35] At this point, Mars and Lawrence Lawrence decided that they would write and produce songs together for other artists.[32]
In 2006, Lawrence introduced Mars to his future A&R manager at Atlantic Records, Aaron Bay-Schuck.[36] After hearing him play a couple of songs on the guitar, Bay-Schuck wanted to sign him immediately, but it took about three years for Atlantic records to finally sign Mars to the label,[36] because Atlantic felt that it was too early and that Mars still needed development as an artist.[37]
Brandon Creed became Mars' manager after dropping his work as A&R for Epic. Although he admits "[I] wasn’t 100% sure the artist thing was going to be a go," he saw enough potential to leave the label and become Mars’ manager.[38]
Before becoming a successful solo artist, Mars was an acknowledged music producer, writing songs for Alexandra Burke, Travie McCoy, Adam Levine, Brandy, Sean Kingston, and Flo Rida.[20][29] He also co-wrote the Sugababes' hit song "Get Sexy" and provided backing vocals on their album Sweet 7.[39][40] His first musical appearance as a singer was in Far East Movement's second studio album Animal, featured on the track "3D".[41] He was also featured on pastor and hip hop artist Jaeson Ma's debut single "Love" in August 2009.[42][43] He reached prominence as a solo artist after being featured on and co-writing B.o.B's "Nothin' on You" and Travie McCoy's "Billionaire"; both songs peaked within the top ten of many charts worldwide.[44][45][46][47] He said of them, "I think those songs weren't meant to be full-sung songs. If I'd sung all of "Nothin' on You", it might've sounded like some '90s R&B." Following this success, Mars released his debut extended play (EP), titled It's Better If You Don't Understand, on May 11, 2010.[48] The EP peaked at the 99th position on the Billboard 200 and produced one single, "The Other Side", featuring singers Cee Lo Green and B.o.B.[49][50] Mars collaborated with Green once more in August 2010 by co-writing his single "Fuck You". He performed a medley of "Nothin' on You" and "Airplanes" with B.o.B and Hayley Williams at the 2010 MTV Video Music Awards on September 12, 2010.[51]

2010–2012: Doo-Wops & Hooligans

Bruno Mars performing in Houston, Texas on November 24, 2010, in order to promote his debut album, Doo-Wops & Hooligans.
Bruno Mars' debut album, Doo-Wops & Hooligans, was released digitally on October 4, and saw its physical release on October 5, 2010.[52][53] The lead single, "Just the Way You Are", was released on July 19, 2010,[54] and has reached the top of the Billboard Hot 100 as well as several other charts worldwide.[55][56] The music video was released on September 8, 2010.[57] The second single, "Grenade", was released September 28, 2010, and has also seen successful international chart performance.[58][59] In the United States, Doo-Wops & Hooligans debuted at number three on the Billboard 200 for the week of October 13, 2010, selling 55,000 copies.[3] The album also received generally positive reviews from critics. Entertainment Weekly's Leah Greenblatt praised Mars for his "instant-access melodies" and "sly snatches of dance-floor swagger", but noted weaknesses in songs deviant from his conventional pop and soul genres.[60] He opened for Maroon 5 on the fall leg of the Hands All Over Tour starting October 6, 2010 and co-headlined with McCoy on a European tour starting October 18, 2010.[53]
On September 19, 2010, Mars was arrested in Las Vegas for possession of cocaine.[61] When talking to a police officer, Mars reportedly stated that what he did was "foolish" and that "he has never used drugs before".[62][63] Mars pled guilty to felony drug possession, and in return for his plea, he was told that the charges would be erased from his criminal record as long as he stayed out of trouble for a year, paid a $2,000 fine, did 200 hours of community service and completed a drug counseling course.[64]
On February 13, 2011, Mars won his first Grammy Award for Best Male Pop Vocal Performance, having received six nominations; Best Rap Song and Best Rap/Sung Collaboration for "Nothin' on You", Record of the Year for "Nothin' on You" and "Fuck You", Song of the Year for "Fuck You", and Producer of the Year, Non-Classical at the 53rd Grammy Awards.
On September 16, 2011, Bad Meets Evil released their single, "Lighters", which featured Mars in the song. The song was met with mixed reviews from critics and many criticized Mars for doing this type of song.[65] On September 22, 2011, it was announced on Mars' website that his new song "It Will Rain" will appear on The Twilight Saga: Breaking Dawn – Part 1 Original Motion Picture Soundtrack which was released on November 8.[66] On October 30, 2011, Mars gave an exclusive performance of "Runaway Baby" on the results show of The X Factor UK, the same day that Mars received six nominations for aGrammy Award; Album of the Year and Best Pop Vocal Album for Doo-Wops & Hooligans, Record of the Year, Song of the Year and Best Pop Solo Performance for "Grenade", and Producer of the Year, Non-Classical at the 54th Grammy Awards. During the ceremony, Mars performed "Runaway Baby" but he did not win any awards as Adele won in all the categories he was nominated in and also lost to Paul Epworth for Producer of the Year.

2012–present: Unorthodox Jukebox

On March 22, 2012, it was announced that Mars had signed a worldwide publishing deal with BMG Chrysalis US.[67] Mars announced that the lead single from his upcoming album would be called "Locked Out of Heaven", which was released on October 1, 2012. On December 11, 2012, Mars released his second studio album, entitled Unorthodox Jukebox. Along with announcing the album title and lead single, Mars announced the other 9 songs of the album.[68] He noted that the album would be more musically varied and refuses to "pick a lane", explaining that "I listen to a lot of music, and I want to have the freedom and luxury to walk into a studio and say, 'Today I want to do a hip-hop, R&B, soul or rock record.'"[68] In the United States, the album debuted at number two on the Billboard 200 with sales of 187,000.[69] The album also charted number one album in Switzerland and in United Kingdom. It was the fastest selling album by a solo artist in 2012.[70] The lead single from the album, "Locked Out of Heaven", has reached number one in the US Billboard Hot 100 and Canada and the top ten in several countries worldwide. The album's second single, "When I Was Your Man", has reached the top ten of fifteen countries, including number one on the Billboard Hot 100.
In February 2013, Mars was nominated for Best Rap Song at the 55th Grammy Awards, as producer and writer of "Young, Wild & Free", however he lost to "Niggas in Paris". During the ceremony, he performed with Sting, Rihanna,Ziggy Marley and Damian Marley in a tribute to Bob Marley.
The third single "Treasure" reached the top five spot in US and had less commercial success worldwide than the previous two. Mars unveiled the next single, "Gorilla", which was only able to peak at No.22 on Hot 100 and was unsuccessful worldwide, from Unorthodox Jukebox on August 25, 2013 at the 2013 MTV Video Music Awards.[71] "Locked Out of Heaven" won the MTV Video Music Award for Best Male Video and "Treasure" was named "Best Choreography".[72]
According to the Los Angeles Times, Mars is expected to be the headline performance at the half time show of the Super Bowl XLVIII in February 2014.[73] On September 8, 2013, Mars was confirmed as the Super Bowl half time performer.[7] Sarah Moll, NFL’s director of entertainment television and programming, believes they are going to announce another act before the performance, since Bruno has been making "some phone calls to some friends".[74] Later, on October 24, B.o.B confirmed he would like to be invited to join Mars at the halftime Super Bowl XLVIII show.[75] The NFL's entertainment team started working with Mars and his management on the halftime set list around Thanksgiving week and will spend the remainder of 2013 mapping out the production and staging, not to mention the guest list.[76] On September 25, Bruno Mars was announced to perform eight shows at the Cosmopolitan of Las Vegas between December 2013 and August 2014.[77] It was announced on January 10, 2014, that the Red Hot Chili Peppers would be joining Mars for the Super Bowl halftime performance.[78]
He was nominated for five Grammy Awards at the 56th Annual Grammy Awards, including Record of the Year and Song of the Year (Locked Out of Heaven), and Best Pop Vocal Album (Unorthodox Jukebox), winning the latter.[79]

Artistry

Influences

Music artists such as Michael Jackson (left) and Prince (right) have influenced Mars.
Mars' time spent impersonating Elvis Presley as a child had a major impact on his musical evolution; he later reflected: "I watch the best. I'm a big fan of Elvis. I'm a big fan of 1950s Elvis when he would go on stage and scare people because he was a force and girls would go nuts! You can say the same thing for Prince or The Police. It's just guys who know that people are here to see a show, so I watch those guys and I love studying them because I'm a fan."[25] He also impersonated Michael Jackson and Little Richard who played a lead role as his influences.[22] Mars was initially influenced by R&B artists such as Keith Sweat, Jodeci and R. Kelly, as well as 1950s rock 'n' roll and Motown.[80] In high school, he began listening to classic rock groups such as The Police, Led Zeppelin, and the Beatles.[80] All of these genres of music have influenced Mars' musical style; he observed that "It's not easy to [create] songs with that mixture of rock and soul and hip-hop, and there's only a handful of them."[80] The local bands are heavily influenced by Bob Marley.[14] Mars also stated that he is a fan of Alicia Keys, Jessie J, Jack White, Kanye West, The Saturdays and Kings of Leon.[81]

Voice and music

Grenade
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An 18-second sample of the chorus of "Grenade".

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Mars possesses a tenor 3 octave vocal range.[82] Jim Farber of New York Daily News praised his voice by saying that "has the purity, cream and range of mid-period Michael Jackson, right before the fall. Like the King of Pop, Mars pines for the prerock-era role of the pure entertainer, a classic song-and-dance man."[83] Jon Caramanica of The New York Times called him "one of the most versatile and accessible singers in pop, with a light, soul-influenced voice that's an easy fit in a range of styles, a universal donor."[84]
Mars' music has been noted for displaying a wide variety of styles, musical genres and influences, including pop,[85] rock,[85] reggae,[85] R&B,[86] soul,[60] and hip hop.[87] His co-producer Philip Lawrence says, "What people don't know is there's a darker underbelly to Bruno Mars." Mars himself says, "I blame that on me singing to girls back in high school."[88] In addition, Mars claims that his work with other artists influenced his musical style, saying that "'Nothin' on You' had a Motown vibe, 'Billionaire' was a reggae acoustic guitar-driven song, though one of my favorites is theCee-Lo Green song. I don't think anyone else could've sung that song. And there's 'Just the Way You Are.' If you know my story, you know I love all different genres of music."[89] He cites doo-wop as a major influence on his music, referring to the genre as "just straightforward love songs – so charming and simple and romantic."[89] In addition, Mars states that growing up in Hawaii influenced his music, giving the songs a reggae sound. He explains that "In Hawaii some of the biggest radio stations are reggae. That music brings people together. It's not urban music or pop music. It's just songs. That's what makes it cross over so well. The song comes first."[14]
Lyrically, many of Mars' songs have been described as "feel-good", carefree, and optimistic,[90] however, darker subjects are addressed in songs such as "Grenade", "Liquor Store Blues", and "Talking to the Moon", which detail failed relationships and self-destructive behavior.[60][91] In his second album, Mars showed a whole new different lyrical style, going into a more sexual direction that led to a Prince comparison.[92] Songs like "Gorilla" caused him a serious controversy due to the explicit content.[93]

Videos and stage

Since his career began, Mars introduced his all-male band, The Hooligans, a band that includes guitarist, bassist, drummer, keyboardist, and horn players. They serve also as dancers and background singers.
Mars is known for his eclectic stage presence that incorporates throwback styles from the 70's & 80's, vocally, musically and choreographically. Rolling Stone magazine placed Mars at number 35 on their list of "50 Best Live Acts Right Now"; he's the youngest act besides Janelle Monàe and Lady Gaga to enter the list. They wrote: "Anyone from the age of 5 to 95 can walk out of a Bruno Mars concert feeling like the show was designed just for them. Mars walks the old-school walk (occasionally in James Brown's funky shoes) and talks the sexy talk (sometimes in Prince-like come-ons), but he also nails the hits, leads a super-energetic nine-piece soul band, and rips a mean drum solo", praising the "spectacular version" of "Gorilla" that he performs live.[94] Jason Lipshutz from Billboard said that "Mars' lifeblood is entertaining and keeping smiles plastered on the faces of his onlookers, and he does a better job at it than almost anyone working in music right now."[95] Co-manager, Brandon Creed, says that because Mars had "poured himself into his songwriting, then singing and recording the songs, they flow through his veins-it's his pulse. That's what people want: a connection with someone speaking the words they wish they could say. And on the other side, Bruno and the band are having a blast onstage, so you can't not have a good time. It's an infectious environment, the show you can't miss."[76] Philip Lawrence said that "It harkens back to Earth Wind & Fire and Michael Jackson when people came to a show and got a show".[76] NFL's Sarah Moll and Tracy Perlman realized when they saw the Moonshine Jungle tour several times this summer. "If you go to his concerts, it's 11-year-old girls to 65-year-old women-it's everyone".[76]
Mars has worked with music video director Cameron Duddy on a handful of music videos, the first being "The Other Side" from his debut album Doo-Wops & Hooligans.[96] In 2013, Mars released three music videos inspired by 80's/70's style. The first was "Locked Out of Heaven", which Mars described as "old-fashioned fun", adding "It's very VHS-y".[97] The second, "When I Was Your Man", was "a vintage video where Mars stays behind a grand piano and pours his heart out."[98] The third was "Treasure", of which Kyle Anderson from EW said "Bruno Mars has gone full-on Betamax" and "It's all there: The suits, the setting, and the bong-water video effects."[99] Gareth Grundy from The Guardiancommented on his performance at the Hammersmith Apollo in London, saying "He might be keen to announce, during "Runaway Baby", that he's doing his James Brown dance moves, but he may as well be auditioning for The Blues Brothers musical (although he'd be certain to bag the lead role)." and "The final 15 minutes, which takes in biggest hits "Grenade" and "Just the Way You Are", is basically one long, smartphones-in-the-air singalong."[100] At the 2011 MTV Video Music Awards he performed a tribute to Amy Winehouse with her song "Valerie" which was considered "one of the award show's high points, both for its emotional resonance and its retro showmanship". In 2013,Entertainment Weekly ranked his performances as the second best of the year, described as "both utterly new-school cool and rushing-home-from-school-to-watch-Soul Train classic".[101]
Due to the second album's accompanying tour, Toronto Sun reported that Mars will wear designs created by embattled fashion gurus from Dolce & Gabbana who "have taken inspiration directly from his work to create looks that were at the same time in line with his very personal taste, as well as with the DNA of Dolce & Gabbana."[102]

Statements on racism

In the cover story for EW Mars stated that the song "Nothin' on You" was rejected because of his race by a "music industry decision-maker – a guy he won't name". That experience made him feel like a "mutant", and he says that was his lowest point. "Even with that song in my back pocket to seal the deal, things like that are coming out of people's mouths. It made me feel like I wasn't even in the room."[103]

The Hooligans – Band members

Current members
  • Bruno Mars  – lead vocals, guitar (2010–present)
  • Phillip Lawrence  – backup vocals (2010–present)
  • Phredley Brown  – keyboard (2010 – October 2012), lead guitar (October 2012 – present), backup vocals (2010–present)
  • Jamareo Artis  – bass guitar (2010–present)
  • Eric Hernandez  – drums (2010–present)
  • Kameron Whalum  – trombone (2010–present)
  • Dwayne Dugger  – saxophone (2010–present)
  • James King  – trumpet (2010–present)
  • John Fossit - keyboard, piano (October 9, 2012 – present)
Former members
  • Kenji Chan  – lead guitar (2010 – October 10, 2012)

Legacy

In 2011, Mars made the Time 100 list, B.o.B wrote "He has a musicality, a presence in his voice that I've never heard from anyone else...When he performs live, nothing is prerecorded or fudged. It's a straight-up, classic performance. That's so rare these days."[9]
Mars' work has influenced numerous artists including Bridgit Mendler,[104] Selena Gomez[105] and Jonas Brothers.[106]

Honors and awards

Main article: List of awards and nominations received by Bruno Mars
Bruno Mars has earned numerous awards and honors throughout his career. He has sold 10 million albums and 58 million singles worldwide as a singer.[5][6] He has sold over 115 million records worldwide and has a catalog of 22 "Hot 100" hits as a singer, producer and songwriter. Bruno Mars also has the highest total among solo male artists of number one songs on Hot 100 Airplay.[107] He spawned five number one singles in the US; the only male who has reached five leaders more quickly than Bruno Mars was Elvis Presley. In addition, Mars and singer Adele are the only artists to ever have a number-one song that only featured piano and vocals.[108] Due to "When I Was Your Man" obtaining "Airplay Gainer" honors for the seventh week in a row, tying it with Rihanna for the longest streak in that chart's history dating back to 1985.[109] When "Locked Out of Heaven" was at number 2 and "When I Was Your Man" was at number 9, Mars became the first male artist to place two titles as a lead act in the Hot 100's top 10 simultaneously since his own "Grenade" and "Just the Way You Are" doubled up for eight consecutive weeks between December 2010 and January 2011.[110] On October 2013, Amazon.co.uk named Bruno Mars as the 12th best selling digital artist along with Queen, however these share that position for best physical sales.[111] Bruno Mars was the most played artist at pop radio in 2013 according to Mediabase[112]
"Just the Way You Are" and "Grenade" are two of the most sold singles digitally of all time worldwide, with sales of 12.5 million and 10.2 million, respectively.[113] Just the Way You Are" also holds the record of the longest-reigning debut format hit in the chart's 50-year history, being able to spend 20 weeks atop Adult Contemporary.[114] The single "Locked Out of Heaven" spent a third week atop the Billboard chart, also topping the Radio Songs chart for the first time and continuing to lead Digital and On-Demand Songs, becoming the first song to top all four tallies simultaneously.[115] Besides this, "Locked Out of Heaven" made its career-opening streak the longest among male artists in the chart's history.[116] On July 4, 2013, "Treasure" entered the top 10 on Radio Songs; due to this, Mars extended his perfect top 10 streak on Radio Songs, since all 11 of his entries have now reached the top ten. He tied with T-Pain for the longest career-opening top 10 streak among males dating to the list's December 1990 launch and is now within one of tying Mariah Carey for the best start among all acts.[117] After "Treasure" entering the top 5 of Hot 100 Mars is now tied Rihanna for the most top five entries in that span.[118] Mars becomes the first male artist to top the 4 million mark in digital sales with four different songs as lead singer.[119] With “Gorilla” Bruno Mars ties Richard Marx as the only two solo men whose first 12 Top 40 hits all reached the Top 10 of American Top 40.[120] In 2013, he was the 7th most streamed artist according to Spotify.[121]
Bruno Mars has won one Grammy Award in the category of Best Male Pop Vocal Performance for "Just the Way You Are" at the 53rd Grammy Awards.[122] Besides multiple nominations, achieving a total of 14, he had seven nominations at the 53rd Grammy Awards. He won Favorite Pop/Rock Male Artist at the American Music Award in 2012. Mars also won a Brit Awards for International Male Solo Artist at the 2012 BRIT Awards.[123]

Other ventures

Endorsements

On May 12, 2013 Mars tweeted a picture of himself using the electronic cigarette. On May 30, 2013 a press release was published reporting Mars investment on NJOY Electronic Cigarette Company, "in order to quit smoking for his mother", since the singer "believes in the product and the company's mission".[124]

Discography

Main article: Bruno Mars discography
  • Doo-Wops & Hooligans (2010)
  • Unorthodox Jukebox (2012)

Filmography

Film

YearFilmRoleNotes
1992Honeymoon in VegasLittle Elvisas Bruno Hernandez
2014Rio 2Roberto (voice)Post-production

Television

YearSeriesRoleNotes
2010Saturday Night LiveHimself (musical guest)Episode: "Jane Lynch/Bruno Mars"
2012The Cleveland ShowHimself (voice)Episode: "Menace II Secret Society"
2012Saturday Night LiveHimself (host/musical guest)Episode: "Bruno Mars"

Tours and residency shows

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Friday, January 31, 2014

A00032 - Theodore Millon, Developer of the Millon Clinical Multiaxial Inventory (MCMI)

Theodore Millon, a Student of Personality, Dies at 85
By BENEDICT CAREYJAN. 31, 2014
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    Theodore Millon’s work from the 1970s is still influential today.


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    Theodore Millon, a psychologist whose theories helped define how scientists think about personality and its disorders, and who developed a widely used measure to analyze character traits, died on Wednesday at his home in Greenville Township, N.Y. He was 85.
    The cause was complications of heart disease, his granddaughter Alyssa Boice said.
    Dr. Millon (pronounced “Milan,” like the city in Italy) learned about the oddities of personality at first hand, by wandering the halls of Allentown State Hospital, a mental institution, after being named to the hospital’s board in the 1950s as a part an overhaul effort in Pennsylvania. A young assistant professor at nearby Lehigh University at the time, he “frequently ventured incognito through the hospital,” he wrote in an essay in 2001, “at times clothed in typical hospital garb overnight or for entire weekend periods, conversing at length with patients housed in a variety of acute and chronic wards.”
    At the University of Illinois in the 1970s, he began to think and write more deeply about the patterns underlying specific character types that therapists had described: the narcissist, with fragile, grandiose self-approval; the dependent, with smothering clinginess; the histrionic, always in the thick of some drama, desperate to be the center of attention. By 1980, he had pulled together the bulk of the work on such so-called personality disorders, most of it descriptive, and turned it into a set of 10 standardized types for the American Psychiatric Association’s third diagnostic manual.
    Along the way he developed the Millon Clinical Multiaxial Inventory (MCMI), which became the most commonly used diagnostic assessment for personality problems. It is still widely used today, in its third edition, the MCMI-III.
    “He was a monumental figure in shaping the understanding of personality disorders,” said Thomas Widiger, a professor of psychology at the University of Kentucky. “Prior to Ted, there wasn’t any measure to speak of. He just dominated the field during a key period of its growth.”
    Theodore Millon was born in Manhattan on Aug. 18, 1928, the only child of Abner Millon, a tailor, and the former Mollie Gorkowitz. He grew up in the Bensonhurst neighborhood of Brooklyn and graduated from Lafayette High School in 1945 before earning bachelor’s degrees in psychology, physics and philosophy at City College of New York. After graduating in 1950, he earned a Ph.D. from the University of Connecticut in 1953, the year after he married Renée Baratz. She survives him, as do three daughters, Diane Bobb, Dr. Carrie Millon and Adrienne Hemsley; a son, Andy; and eight grandchildren.
    Loquacious and opinionated, Dr. Millon, who described himself as an exemplar of “secure narcissism,” became a kind of institution unto himself after laying a foundation for the study of personality disorders. He left the University of Illinois for the Coral Gables campus of the University of Miami, where — between visiting professorships at Harvard and McLean Hospital — he founded the Institute for Advanced Studies in Personology and Psychopathology, a platform to advance his ideas, publishing analyses, books and various personality assessments.
    Dr. Millon wrote more than 25 books and co-wrote more than 50 academic papers. The American Psychological Association awarded him its Gold Medal Award for Lifetime Achievement in 2008.
    In one of his books, an encyclopedia of behavioral scientists called “Masters of the Mind” (2004), he included an entry for “Theodore Millon (1928 — ).” Dr. Millon, he wrote of himself, was distinguished from many others in the book “by the fact that he appears, contrawise, to be invariably buoyant, if not jovial. Critics are not invariably enamored, however, finding his work to be, at times, too speculative, his writing unduly imaginative, and his creativity overly expansive.”

    ***

    Theodore Millon (18 August 1928 - 29 January 2014) was an American psychologist known for his work on personality disorders.

    Contents

    [hide]
    • 1 Biography
    • 2 Theoretical work
      • 2.1 Millon's personality disorder subtypes
    • 3 Books
    • 4 See also
    • 5 References
    • 6 External links

    Biography[edit]

    Millon was born in 1928, the only child of immigrant Jewish parents from Lithuania and Poland.[1] His 19th-century ancestors came from the town of Valozhyn, then a part of the Russian Empire.[2]:309 Receiving degrees from both American and European universities, he was a member of the board of trustees of Allentown State Hospital, a large Pennsylvania psychiatric hospital for 15 years.[3] Shortly thereafter he became the founding editor of the Journal of Personality Disorders and the inaugural president of the International Society for the Study of Personality Disorders. He is Professor Emeritus at Harvard Medical School and the University of Miami.[4]
    In 2008, Millon was awarded the Gold Medal Award For Life Achievement in the Application of Psychology by the American Psychological Association.[5]
    The American Psychological Foundation presents an award named after Millon, known as the "Theodore Millon Award in Personality Psychology," to honor outstanding psychologists engaged in "advancing the science of personality psychology including the areas of personology, personality theory, personality disorders, and personality measurement."[6]

    Theoretical work[edit]

    Millon has written numerous popular works on personality, developed diagnostic questionnaire tools such as the Millon Clinical Multiaxial Inventory, and contributed to the development of earlier versions of the Diagnostic and Statistical Manual of Mental Disorders.
    Among other diagnoses, Millon advocated for an expanded version of passive aggressive personality disorder, which he termed 'negativistic' personality disorder and argued could be diagnosed by criteria such as "expresses envy and resentment toward those apparently more fortunate" and "claims to be luckless, ill-starred, and jinxed in life; personal content is more a matter of whining and grumbling than of feeling forlorn and despairing" (APA, 1991, R17). Passive-Aggressive Personality Disorder was expanded somewhat as an official diagnosis in the DSM-III-R but then relegated to the appendix of DSM-IV, tentatively renamed 'Passive-Aggressive (Negativistic) Personality Disorder'.[7]

    Millon's personality disorder subtypes[edit]

    Millon devised a set of widely acknowledged subtypes for each of the DSM personality disorders:[8][9]
    • Sadistic (psychopathic) personality disorder subtypes [10]
    • Self-defeating (masochistic) personality disorder subtypes
    • Schizotypal personality disorder subtypes
    • Schizoid personality disorder subtypes
    • Paranoid personality disorder subtypes
    • Antisocial (sociopathic) personality disorder subtypes
    • Borderline personality disorder subtypes
    • Histrionic personality disorder subtypes
    • Narcissistic personality disorder subtypes
    • Dependent personality disorder subtypes
    • Obsessive-compulsive personality disorder subtypes
    • Avoidant personality disorder subtypes
    • Passive-aggressive (negativistic) personality disorder subtypes
    • Depressive personality disorder subtypes
    • Exuberant/Hypomanic (turbulent) personality disorder subtypes
    • Decompensated Personality Disorder [11]

    Books[edit]

    • Millon, Theodore (with Roger D. Davis) (1996) Disorders of Personality: DSM IV and Beyond 2nd ed. New York: John Wiley and Sons. ISBN 0-471-01186-X
    • Millon, Theodore (2000). Personality Disorders in Modern Life. New York: John Wiley and Sons. ISBN 0-471-23734-5
    • Millon, Theodore. (2004) Masters of the Mind. Hoboken: John Wiley and Sons.
    • Millon, Theodore and Grossman, Seth.(2007) Moderating Severe Personality Disorders: A Personalized Psychotherapy Approach. Hoboken: John Wiley and Sons.
    • Millon, Theodore and Grossman, Seth.(2007) Resolving Difficult Clinical Syndromes: A Personalized Psychotherapy Approach. Hoboken: John Wiley and Sons.
    • Millon, Theodore and Grossman, Seth.(2007) Overcoming Resistant Personality Disorders: A Personalized Psychotherapy Approach. Hoboken: John Wiley and Sons.
    • Blaney, Paul H. and Millon, Theodore (Eds). (2008) Oxford Textbook of Psychopathology, 2nd Ed.. New York: Oxford University Press.
    • Millon, Theodore, Krueger, Robert and Simonsen, Erik (Eds). (2008). Contemporary Directions in Psychopathology: Toward the DSM-V and ICD-11. New York: Guilford Press.
    • The Millon inventories: a practitioner's guide to personalized clinical assessment. (2008) Guilford Press. ISBN 978-1-59385-674-8
    Posted by skipjen2865 at 7:11 PM No comments:
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    Wednesday, January 29, 2014

    A00031 - Martin Bergmann, Psychoanalyst and Woody Allen's On-Screen Philosopher


    Martin S. Bergmann, Psychoanalyst and Woody Allen’s On-Screen Philosopher, Dies at 100

    By MARGALIT FOXJAN. 26, 2014



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      Martin S. Bergmann in his New York psychoanalytic office. His face became famous for a film. Sebastian Zimmermann, MD

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      Martin S. Bergmann, a psychoanalyst, author and educator who became known to a wide general audience for his unplanned, much-praised role as a philosopher in Woody Allen’s 1989 film, “Crimes and Misdemeanors,” died on Wednesday at his home in Manhattan. He was 100.
      His son, Michael, confirmed the death.
      At his death, Mr. Bergmann was an adjunct clinical professor of psychology in the postdoctoral program in psychoanalysis and psychotherapy at New York University, where he had taught for many years; he had been scheduled to teach a seminar there next week, Michael Bergmann said.
      Mr. Bergmann also maintained a private psychoanalytic practice, although, in a concession to his age, he had scaled it back to about 30 hours a week.
      A Freudian known for his erudition — he was the author of scholarly books on love, psychoanalysis, history and religion — Mr. Bergmann landed in “Crimes and Misdemeanors” entirely by chance, through a student of his who happened to know the casting director.
      As the student was aware, Mr. Allen was looking for a tweedy, white-haired, European-sounding psychoanalyst to portray Professor Louis Levy, a humanistic philosopher. In the movie, a dark comedy about marriage and its discontents, Mr. Allen plays a filmmaker at work on a documentary about Levy, who is seen only in film clips.
      Mr. Bergmann fit the bill. Introduced to Mr. Allen, he answered his searching questions about philosophical matters like love, life and death. Twenty minutes later, as The Philadelphia Inquirer reported in 1989, Mr. Allen told him, “You’ll do.”
      Much of Levy’s dialogue in the film was extemporized by Mr. Bergmann along similar philosophical lines.
      “Human happiness does not seem to have been included in the design of creation,” Mr. Bergmann, as Levy, says. “It is only we, with our capacity to love, that give meaning to the indifferent universe.”
      Mr. Bergmann, whose professional training let him put his finger instantly on the operative question in almost any situation, did wonder why, if Mr. Allen wanted a philosopher, he did not simply cast a philosopher.
      “I asked him that question,” Mr. Bergmann told Newsday in 1989. “He didn’t answer.”
      Martin Shlomo Bergmann was born in Prague on Feb. 15, 1913. His father, Hugo, was a noted philosopher and an early Zionist; the family moved toPalestine when Martin was 6.
      As a young man in the 1930s, Mr. Bergmann was sent by his kibbutz to study agriculture in the United States. He earned bachelor’s and master’s degrees in the field from the University of California, Berkeley.
      During this time, Mr. Bergmann’s parents divorced and he chose not to return to Palestine. Already interested in psychology, he began reading Freud while at Berkeley.
      During World War II he served stateside in the United States Army, where his duties included administering psychological tests to servicemen. After World War II, he settled in New York, where he received his psychoanalytic training.
      His books include “The Anatomy of Loving” (1987), a history of mankind’s struggle, from antiquity to modernity, to understand love; “In the Shadow of Moloch: The Sacrifice of Children and Its Impact on Western Religions” (1992); and several volumes he edited, among them “Generations of the Holocaust” (1982, with Milton E. Jucovy) and “Understanding Dissidence and Controversy in the History of Psychoanalysis” (2004).
      Among his many honors is the Distinguished Psychoanalytic Educator Award from the International Federation for Psychoanalytic Education.
      On the strength of “Crimes and Misdemeanors” — and perhaps inspired by the cleansing power of psychoanalysis — a maker of washing machines attempted to cast Mr. Bergmann in a television commercial. He declined, his son said.
      After an early marriage that ended in divorce, Mr. Bergmann married Maria Vari in 1947. Besides his wife, a psychoanalyst, and his son, a filmmaker, Mr. Bergmann’s survivors include a grandson.
      When Mr. Bergmann first saw “Crimes and Misdemeanors,” he received a psychological jolt: at the end of the film, he discovered, Professor Levy commits suicide off camera.
      “It was a little bit of a shock,” Mr. Bergmann told The Inquirer in 1989. “It was essential for Woody Allen, to develop the plot. It wasn’t so nice for me. Some of my patients were quite upset.”



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      A00030 - Shulamit Aloni, Outspoken Israeli Lawmaker

      Shulamit Aloni, Outspoken Israeli Lawmaker, Dies at 86

      By JODI RUDORENJAN. 24, 2014
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        Shulamit Aloni, a longtime left-wing Israeli minister and Parliament member who was an early champion of civil liberties, challenger of religious hegemony and outspoken opponent of Israel’s occupation of the Palestinian territories, died Friday at her home in Kfar Shmaryahu, a Tel Aviv suburb. She was 86.
        One of her sons, Nimrod, said she had not been seriously ill, “just very old.”
        Mrs. Aloni, an elected lawmaker for 28 years, was the author of six books, including one of Israel’s earliest texts on civics. She was awarded the prestigious Israel Prize in 2000 “for her struggle to right injustices and for raising the standard of equality.”
        In 2008, at age 80, she published  “Israel: Democracy or Ethnocracy?” a harsh assessment of her homeland. She wrote on the cover, “The state is returning to the ghetto, to Orthodox Judaism, and the rule of the fundamentalist rabbinate is becoming more profound.”

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        Reuven Rivlin, a Parliament member from the conservative Likud Party, described Mrs. Aloni on Friday as “the last politician in her generation who said what she thought.” But her outspokenness also made for problems.
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        Shulamit Aloni, then education minister, talking to students in 1992. David Rubinger/Time Life Pictures, via Getty Images
        In 1992, Prime Minister Yitzhak Rabin rebuked her for questioning the biblical version of Creation and speaking in the same breath of the Hebrew matriarch Rachel and the prostitute Rahav. The next year, after Mrs. Aloni’s challenging of religious political leaders provoked a coalition crisis, Rabin demoted her from education minister to minister of communications and science and technology.
        After Baruch Goldstein massacred 29 Muslims at the Tomb of the Patriarchs in 1994, she was among the first to call for the expulsion of hundreds of Jewish settlers from the West Bank city of Hebron. She also said that high school trips to Holocaust sites were turning Israeli youths into xenophobes, and she incited outrage by holding official meetings abroad in nonkosher restaurants.
        Former political allies and opponents alike lauded her on Friday as a boundary-breaking pioneer for peace, “a moral compass,” “a special breed,” “an inspiration for all women” and a “pillar of fire.”
        “It was impossible not to admire such a combative woman who fought for what she believed in and was prepared to pay the price,” said Geula Cohen, who founded a right-wing faction and frequently faced off with her in Parliament.
        Yossi Sarid, who in 1996 successfully challenged Mrs. Aloni for leadership of the far-left Meretz Party, called her “a phenomenon” who feared “absolutely nothing.”
        “How did we first become acquainted with civil rights? How did we first discover the occupation?” Mr. Sarid, now a political analyst, asked rhetorically Friday morning on Israel Radio. “She wanted to change the national and social agenda, and she did so, on her own, by virtue of her own capabilities, and attained great and unparalleled achievements.”
        Although some sources say she was 85, her son Nimrod said she was 86 and was born in December 1927. Born Shulamit Adler in Tel Aviv to Polish immigrant parents, she fought in Israel’s War of Independence in 1948.
        She started her political career with the Labor-Alignment faction, then helped create the Citizens’ Rights Movement and, later, Meretz. She was married for 36 years to Reuven Aloni, who died in 1988. She is survived by their three sons, eight grandchildren and two great-grandchildren.
        Her death was a reminder of the decline of the left among Jews in Israel. Labor’s last prime minister was Ehud Barak in 2001, and Labor and Meretz combined hold 21 of Parliament’s 120 seats today. When Mrs. Aloni left elected office, they had 56.
        “The pillar of fire has been extinguished,” the advocacy group Peace Now lamented in a statement.
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        Tuesday, January 28, 2014

        A00029 - Irving Milchberg, Warsaw Cigarette Seller Who Smuggled Guns to Resistance

         

        Irving Milchberg, Who Smuggled Guns Under Nazis’ Noses in Warsaw, Dies at 86

        By JOSEPH BERGERJAN. 27, 2014
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          Irving Milchberg, left, in 1944 with a fellow cigarette seller from Warsaw nicknamed Conky.

          Irving Milchberg, who as a plucky Jewish street urchin escaped transport to concentration camps three times and sold cigarettes to Nazis in the heart of occupied Warsaw while smuggling guns and food to resistance fighters, died on Sunday in Toronto. He was 86.
          His death was confirmed by his son, Howard.
          Mr. Milchberg’s improbable saga was chronicled in a 1962 memoir by a Holocaust survivor, Joseph Ziemian, called “The Cigarette Sellers of Three Crosses Square.” The square was in the heart of a Warsaw district that German authorities had taken over. A nearby Y.M.C.A. had become a barracks for SS troops, another building was a German gendarmerie and a third building housed Hungarian soldiers collaborating with the Germans. A Gestapo secret police office was nearby.
          The square itself was bustling and noisy, and much of the racket was contributed by about 14 cigarette sellers, most of whom were orphaned boys and girls hiding their Jewish identities and sleeping either on the streets, in cemeteries or with nervously accommodating Polish families.
          For a year and a half, Mr. Milchberg and the other children hustled, sometimes fighting among themselves over customers, who included not only Poles but also the hundreds of Germans who could shoot them on the spot if they discovered they were Jewish. The fact that Mr. Milchberg had sandy hair and blue eyes made it easier for him to pass as a Polish gentile.
          “This group of Jewish children, wandering around under the very noses of a thousand policemen, gendarmes, Gestapo men and ordinary spies, constituted an unexplained and inexplicable phenomenon,” Mr. Ziemian wrote.
          Mr. Milchberg, who had taken the Polish name Henrik Rozowski but was known by the nickname Bull, was a leader of the group.
          Born Ignac Milchberg on Sept. 15, 1927, into a Warsaw housewares merchant’s family, he saw his fairly comfortable world begin to crumble after the Nazi invasion in September 1939 and the walling off of a Jewish ghetto about six months later. The family was assigned to a room over an abandoned grocery store, and Ignac and his father were sent to work in a lumberyard outside the ghetto, sometimes bartering for food that they would sneak back.
          In 1942, his father, while on the work detail, was killed by a Gestapo officer who found him hiding bread, then ordered him to run before shooting him in the back. Ignac, who had been working nearby, managed to slip back into the ghetto to bring food to his mother. When he returned, the body had already been taken to a mass grave.
          One day he was seized in the street and taken to the Umschlagplatz, where Jews were put aboard trains to the Treblinka death camp. But during the night he scaled a fence, fled and returned to the ghetto. There he encountered an empty apartment. His mother and three sisters had been sent to Treblinka.
          He made it out to the Aryan side and joined another work detail, but those workers, too, were taken at gunpoint to the Umschlagplatz and put aboard a train. When the train was stalled, Mr. Milchberg managed to break the bars of a car window and scramble out, roll into a ditch and flee.
          “To tell you the truth, I never thought much,” Mr. Milchberg said in a 2013 interview, trying to explain his daring resourcefulness. “If I had to do something, I did it. I didn’t have time to analyze it.”
          He took a series of jobs that allowed him to move between the Jewish ghetto and the outside world, and he smuggled in food. While they were loading coal for a railway, his mother’s brother, the family’s only other survivor, put him in touch with rebel fighters. Not yet 16, Mr. Milchberg, according to the Ziemian memoir, smuggled guns to the ghetto in hollowed loaves, twice by spiriting through the sewers.


          For several weeks in April and May 1943, as the last remnants of the ghetto were being “liquidated,” the fighters, armed with guns, grenades and firebombs, staged a quixotic revolt in what became known as the Warsaw Ghetto Uprising, a milestone of Jewish resistance. Mr. Milchberg, who had visited his uncle for Passover but did not actually fight in the uprising, was rounded up and put aboard a train to the Poniatowa camp. But when the group was switched to another train, he mingled with a crowd of Polish boys selling water and escaped.
          He made it back to Warsaw’s Aryan side, but he badly injured his leg while running from a gendarme. He managed to persuade a Polish doctor he had known before the war to treat him. He ran into some youths he had met before, who were now hanging out with the cigarette sellers of Three Crosses Square, and joined the clique. The boys had nicknames like Conky, Hoppy, Toothy and Frenchy.
          According to Mr. Milchberg’s son, surviving meant balancing “extreme fear and extreme hubris.” And indeed, some boys perished. The boy known as Frenchy was flattered by the attention of an SS man, thinking that might be an advantage, but for reasons they never learned, Frenchy was taken to the Gestapo and never heard from. Fearing that Frenchy might expose them all, the cigarette sellers scattered and went their own ways until the Soviet Army liberated the city.
          In 1945, Mr. Milchberg made his way to Czechoslovakia, then Austria, then to a camp for displaced people in occupied Germany, where he learned watchmaking, his lifelong occupation. In 1947 Canada allowed 1,000 children to immigrate, and he became one of three cigarette sellers who settled there, while most went to Israel.
          He ended up in Niagara Falls, where he opened his own jewelry and watch business. In 1953 he met his wife, Renee, who had survived the war because she was sent with an aunt and an uncle to a Russian labor camp. She had come to Niagara Falls as a tourist.
          In addition to his wife and son, Mr. Milchberg is survived by a daughter, Anne, and three grandchildren.
          In old age, Mr. Milchberg wound up in Toronto, in a neighborhood of survivors who met regularly over tea or coffee in a courtyard and traded jokes and stories of the war.
          In 1993, he took a trip to Poland with his son for the 50th anniversary of the Warsaw Ghetto Uprising and visited Treblinka.
          “He completely broke down,” his son said. “I’d never seen him do that before.”

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