Wednesday, August 27, 2014

A00054 - Sophie Masloff, First Woman to Serve as Mayor of Pittsburgh

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Sophie Masloff, after casting her vote in 1989. A court clerk for 38 years, she was the first woman to serve as Pittsburgh mayor. CreditBill Levis/Pittsburgh Post-Gazette, via Associated Press
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Sophie Masloff, a Democrat who campaigned with a big black pocketbook, charmed voters with homespun verbal gaffes and from 1988 to ’94 was the first woman and the first Jew to serve as mayor of Pittsburgh, died on Sunday at a hospice in Mount Lebanon, Pa., a suburb of Pittsburgh. She was 96.
Her death was confirmed by Joseph Sabino Mistick, her chief of staff when she was mayor.
Mrs. Masloff, who lived in Pittsburgh all her life, had only a high school education, had worked most of her life as a court clerk and was the 70-year-old president of the City Council when, under the City Charter, she was named interim mayor, succeeding the popular Mayor Richard S. Caliguiri, who died of a rare blood disorder 20 months from the end of his third term.
He was a hard act to follow. In the late 1970s and early ’80s he had led Pittsburgh through wrenching changes: from the death of Big Steel to the birth of a robust, diversified economy, with a new downtown skyline; sharp declines in population and jobs; and a renaissance in education, culture and quality of life.
Mrs. Masloff seemed hopelessly miscast. Her public speaking was unsophisticated; she sometimes wrote words on her hand to jog her memory. She delegated so much authority that aides often had to jump in and answer questions for her at public meetings and news briefings.
But she pledged to continue innovative ventures with the alliance of corporations, universities and civic groups that had reshaped Pittsburgh, and to create more jobs and curtail urban flight. And in a city of 390,000 that still had scores of ethnic working-class neighborhoods and an aging population, her homey Pittsburgh demeanor was a political advantage.
She called herself “an old Jewish grandmother,” and her streetwise Pittsburghese, delivered in a high, nasal rasp, was pitch-perfect: “What? Yunz don’t remember?”
Her malapropisms on visiting rock stars were endearments of a sort. The Who became “the How.” It was “Bruce Bedspring” and “the Dreadful Dead.”
When people called out on the street, they’d say, “Hi, Sophie.” Or, “How ya doin’, Sophie?”
In 1989, after beating five candidates in a primary — virtually assuring her election as mayor in heavily Democratic Pittsburgh — she ran unopposed and won a full four-year term. She soon shed the grandmotherly allusions, which had played into opponents’ criticisms of her managerial skills. But the rhetorical flourishes went on.
“As Henry the Eighth said to each of his wives,” she told audiences too many times, “Don’t worry. I won’t keep you long.”
Once, posing for photographs with a Yugoslav official, she said, “You know, I’ve never been to Czechoslovakia.”
“Madame Mayor,” the indignant statesman intoned, “I’m from Yugoslavia.”
“I know that,” she continued. “But the truth is, I’ve never been to Czechoslovakia.”
Mrs. Masloff vowed to avoid tax increases, threatened to close city accounts unless banks invested more in housing, laid off city workers and fought deficits with budget cuts. Despite protests, she signed a law barring discrimination against gay men and lesbians in housing, jobs and restaurant service.
But by 1993, several high-tech companies and thousands of jobs had moved to suburban industrial parks with more space and lower taxes. There had been long newspaper and transit strikes. Pittsburgh remained livable, with low crime, affordable housing, good schools and a rich cultural scene. But critics said the mayor lacked vision. And what had once been seen as colorful Sophie-speak had begun to rankle voters.
“In some situations, where you have to listen to a lot of boring speeches, I can’t resist the opportunity to say something silly,” she told The New York Times in 1992. “But some people are not too humorous, and lately I’ve come to the place where I limit joking around because it might look like I don’t know any better.”
She did not run again. In a statement on Sunday, the current mayor of Pittsburgh, William Peduto, called Mrs. Masloff “a trailblazer camouflaged in grace and humor” and said she “personified Pittsburgh — she was kind and approachable, but you dared not underestimate her.”
Sophie Friedman was born in Pittsburgh on Dec. 23, 1917, to Louis and Jennie Friedman, immigrants from Romania. Her father, an insurance salesman, died when she was an infant; her mother, who never spoke English, rolled cigars in a factory to support Sophie and two daughters and a son from a previous marriage.
She spoke only Yiddish until she attended public school. After graduating from high school in 1935, she worked as a bookkeeper and secretary.
In 1939 she married Jack Masloff, a security guard, who died in 1991. She is survived by her daughter, Linda Busia, two grandchildren and a great-granddaughter.
In 1938 she became a clerk in the Allegheny County Court of Common Pleas. She worked there for 38 years, eventually becoming assistant chief clerk. She also became a Democratic Party worker, and after 40 years of service was elected to the City Council in 1976. She said her major accomplishment on the Council was bringing cable television to Pittsburgh.
After stepping down as mayor, she attended several Democratic National Conventions, as she had since the ’50s. In an interview with The Pittsburgh Tribune-Review on her 90th birthday in 2007, she recalled the span of her life.
“We were very, very poor, and it was horrible as a child,” she said. “But I came through it — and just think of the great honor I had. What an incredible honor it was for me to be elected mayor of Pittsburgh. My mother, if she were alive, would never have believed what happened to me.”

Monday, August 25, 2014

A00053 - Leonard Fein, Provocative Writer on Jewish Affairs




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Leonard Fein CreditForward Association

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Leonard Fein, an intellectual and activist who wrote voluminously about contemporary Jews, Judaism and, in his words, “the often stormy relationship between Jews and Judaism,” and who founded a magazine and organizations to combat hunger and illiteracy, died late Wednesday or early Thursday in Manhattan. He was 80.
His brother, Rashi Fein, a professor emeritus at Harvard Medical School, confirmed the death, saying the cause was uncertain. Mr. Fein lived in Watertown, Mass.
As an author, a columnist for The Jewish Daily Forward and a contributor to many publications, including The New York Times, Mr. Fein was among the foremost of the so-called liberal Zionists. Known to friends and family as Leibel (pronounced LAY-bul), he was a social progressive, a fierce peacenik, a staunch defender of Israel and a shrewd observer of the American Jewish community.
He was fascinated by the diverse, complex, sometimes contradictory nature of modern Jewry.
“Some questions,” he began a 1985 essay in Moment, a magazine he edited and had founded a decade earlier with Elie Wiesel: “Why do we, less than 3 percent of America’s population, far, far less than 1 percent of the world’s, seem implicated in so much that happens about us? Or is it that, out of our preoccupation with self, we only imagine that implication?
“And why is it that some of us are so absorbed with self, and others of us so indifferent?” he went on. “How is it that a people so manifestly successful as we continues to represent itself — and, in truth, to see itself — as a victim people? Is Jewish survival everywhere and always at stake, as we so often announce — or can a people that has weathered 4,000 years of time, much of it traumatic, take its continuing survival pretty much for granted?”
Mr. Fein had given up an academic career to focus on Moment. He envisioned it as a more stylish and literary alternative to Commentary, another magazine that concentrated on Jewish issues but one that Mr. Fein found dour, dull and ideologically out of step with most Jews after it swung politically rightward in the 1960s.
Moment became “one of American Jewry’s most influential sources of Jewish ideas,” Rabbi David Saperstein, director of the Religious Action Center in Washington, wrote Friday in the English-language edition of the Israeli newspaper Haaretz, “and it launched Leibel as the most influential liberal ideologue in American Jewish life.”
Mr. Fein left the magazine in 1987. (The current editor, Nadine Epstein, said in an interview that Moment was more journalistic and less literary today than it was under Mr. Fein.) Shortly before that, he had founded an organization to raise money from Jewish families who were celebrating bar mitzvahs and weddings in increasingly opulent fashion and distribute it to groups that fed the hungry of any faith.
Based in Los Angeles, the charity, called Mazon: A Jewish Response to Hunger — it was named for the Hebrew word for food or sustenance — asked families to contribute 3 percent of the cost of their celebrations. Mr. Fein called the figure “small enough to be reasonable and large enough to be meaningful.”
After a year, Mazon was raising $80,000 a month. In the fiscal year that ended June 30, it dispensed $4.5 million in grants.
The idea for Mazon came to Mr. Fein when he learned that party caterers were pulling in half a billion dollars a year.
“A light bulb flashed over my head, and I started figuring a small percent of that sum could mean a lot of food for hungry people,” he told The Times in 1987. He quickly earned the support of rabbis around the country, Rashi Fein recalled, “perhaps because they were distressed at what was happening to bar mitzvahs and bat mitzvahs.”
Mr. Fein was born in New York City on July 1, 1934, and his first home was in the Bronx. His parents, who were teachers, frequently moved to find work, and before he was 10 he had lived in Winnipeg and Bridgeport, Conn. There, he contracted polio, which left him with a condition known as post-polio syndrome, characterized by muscle weakness and fatigue.
The family later settled in Baltimore, where Leonard graduated from high school. His father, Isaac, taught Jewish studies at Baltimore Hebrew College (now Baltimore Hebrew Institute), and his mother, the former Chaya Wertheim, taught in Baltimore schools.
Mr. Fein graduated from the University of Chicago, spent a year in Israel and then resumed his studies, earning a Ph.D. in political science from Michigan State. He taught in the political science department at the Massachusetts Institute of Technology and later taught Jewish studies at Brandeis.
He was married and divorced twice. In addition to his brother, he is survived by two daughters, Rachel and Jessie, and five grandchildren. A third daughter, Nomi, died in 1996. Mr. Fein wrote about her in a 2001 book, “Against the Dying of the Light: A Parent’s Story of Love, Loss and Hope.”
His other books include “Where Are We? The Inner Life of America’s Jews” (1970).
In the late 1990s, after President Bill Clinton declared that it should be a national goal to have every American child able to read by fourth grade, Mr. Fein founded the National Jewish Coalition for Literacy, a network of organizations that provide volunteer tutors in schools. The coalition, which began with a pilot program in Boston in 1997, operates in 47 communities and has recruited about 12,000 tutors.
“Leibel was a pioneer of American Jewish sociology, and in the application of social scientific research to improving the conditions of the American Jewish community in various ways,” a friend, Leon Wieseltier, the literary editor of The New Republic, said in an interview. “His feeling for his people was vast. He insisted that certain Jewish teachings about social justice and social equality be put into practice, as regards the community’s policies towards its poor.
“He was an impenitent dove,” Mr. Wieseltier added. “He knew Israel very well, and his concern for its security was profound, and his belief in territorial compromise for the sake of both Israel and the Palestinians was equally profound. We disagreed on some things, but he was a joy to disagree with. He was a state-of-the-art mensch.”

Monday, August 18, 2014

A00052 - Menahem Golan, Prolific B-Movie Filmmaker








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Menahem Golan in 2003.CreditScott Barbour/Getty Images

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Menahem Golan, the colorful Israeli filmmaker who began his prolific B-movie career with Roger Corman, introduced audiences to Jean-Claude Van Damme and during his 1980s heyday directed action stars like Sylvester Stallone and Chuck Norris, died on Friday in Jaffa, Israel. He was 85.
His family announced his death. No cause was given.
Mr. Golan’s best-known films as producer, director or both included “The Delta Force” (1986), in which terrorists go up against elite commandos including Mr. Norris and Lee Marvin; “Over the Top” (1987), starring Mr. Stallone as an arm wrestler; and the four “Death Wish” sequels, with Charles Bronson.
Mr. Golan produced more than 200 films, directed more than 40 and wrote almost as many (often under the name Joseph Goldman), including works as serious as a 2002 production of “Crime and Punishment,” with John Hurt and Vanessa Redgrave, and as exploitative as “The Versace Murder” (1998), filmed less than four months after the fashion designer Gianni Versace’s death. An article in The New York Times described one of Mr. Golan’s contributions to that movie asstanding behind the camera throwing fake blood on the actor playing the killer.



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Charles Bronson in “Death Wish 3” (1985), one of the hundreds of Golan productions.CreditCannon Films, via Getty Images

To say that Mr. Golan discovered Mr. Van Damme, when he was a Belgian kickboxer who had appeared only in tiny parts in a handful of films, is to give Mr. Van Damme too little credit. As he has told the story, he spotted Mr. Golan outside a restaurant in Beverly Hills, Calif., and leapt into action, executing a karate kick above the filmmaker’s head. Mr. Golan promptly gave him his first starring role, in “Bloodsport” (1988), about a potentially deadly martial arts tournament. Mr. Van Damme was paid $25,000, and the film earned almost $12 million in the United States alone.
At the annual Cannes Film Festival in France, Mr. Golan became a celebrity. Working with Yoram Globus, his cousin and business partner in Cannon Films, he promoted his high-minded films and his less lofty action titles with equal fervor. Perhaps the oddest deal he made at the festival was an agreement with Jean-Luc Godard, said to have been signed on a napkin at a hotel bar, to direct a version of “King Lear.” The cast of that film, which when released in 1987 ended up being a science-fiction comedy about post-Chernobyl culture, included Norman Mailer, Woody Allen and the director Peter Sellars. In 1990, when the mayor of Cannes proposed giving Mr. Golan key to the city, Mr. Golan said, “Why not just give me the piece of the Croisette that I already own with all the money I’ve spent here?”
Mr. Golan was born Menahem Globus on May 31, 1929, in Tiberias, a city on the Sea of Galilee, in what was then Palestine and is now Israel.
He served as a pilot and bombardier in the Israeli war of independence; in 1948, when the state of Israel was established, he changed his surname to Golan. He studied drama in London and in the United States and worked in theater before landing his first film job, as a production assistant on Mr. Corman’s “The Young Racers” (1963), a racecar drama starring Mark Damon.
That same year Mr. Golan directed his first movie, “El Dorado,” a crime story set in Israel. The next year he produced his first, “Sallah Shabati,” a satire about Israeli immigration and non-European Jews. Both films starred Topol.
Mr. Golan directed and helped write “Mivtsa Yonatan” (“Operation Thunderbolt”), about the 1976 Israeli raid on Entebbe, Uganda, which was nominated for a 1978 Oscar as best foreign-language film.
But Mr. Golan had not forgotten his lessons from Mr. Corman. Besides prestige projects like “A Cry in the Dark” (1988), with Meryl Streep, and “I’m Almost Not Crazy,” a 1984 documentary about the actor and director John Cassavetes, Mr. Golan and his company churned out movies about ninjas, cyborgs, chain saws and the likes of “Teenage Bonnie and Klepto Clyde” (1993).
His final production was “Rak Klavim Ratzim Hofshi” (“Only Dogs Run Free,” 2007), a low-budget drama filmed in Israel, and his final directing and writing credit was “Marriage Agreement” (2008), a comedy. A documentary, “The Go-Go Boys: The Inside Story of Cannon Films,” is scheduled for the fall.
Mr. Golan, who lived in Jaffa and whose survivors include his wife and three children, sometimes defended his artistic choices. When he was filming “Mack the Knife,” an earthy 1989 version of “The Threepenny Opera” in which 19th-century characters carry semiautomatic weapons, he told The New York Times: “Believe it or not, in Berlin they’ve done a punk version. People are doing it with green in their hair.”
In the same article, David Toguri, the film’s choreographer, said: “The purists won’t like it, but it works. It’s made for cinema, and Menahem Golan is a real cinema man.”

*****

Menahem Golan (Hebrewמנחם גולן‎; May 31, 1929 – August 8, 2014) was an Israeli director and producer. He produced movies for such stars as Sean ConnerySylvester StalloneChuck NorrisJean-Claude Van Damme, andCharles Bronson, and was known for a period as a producer of comic book-style movies like Masters of the Universe,Superman IV: The Quest for PeaceCaptain America, and his aborted attempt to bring Spider-Man to the silver screen. Using the pen name of Joseph Goldman, Golan also wrote and "polished" film scripts.[1] He was co-owner of Golan-Globus with his cousin Yoram Globus.[2] Golan produced about 200 films, directed 44, won 8 times the Violin David Awards and The Israel Prize in Cinema.

Early life[edit]

Menahem Golan was born on May 31, 1929, in Tiberias, then Mandate Palestine. He studied directing at the Old Vic School and the London Academy of Music and Dramatic Art, and filmmaking at New York University. During the Israeli War of Independence he served as a pilot in the Israeli Air Force.

Directing and film career[edit]

Golan started out as an apprentice at Habima Theater in Tel Aviv. After completing his studies in theater direction, he staged plays in Israel. He gained experience as a filmmaker by working as an assistant to Roger Corman.[3]
As a director, Golan is probably most known for his film Operation Thunderbolt (Mivtsa Yonatan, 1977), about the Israeli raid on Entebbe airport in Uganda. He also produced the film Eskimo Limon (Lemon Popsicle, 1978), spawning many sequels and an American remake named The Last American Virgin.
In 1979, he did an adaptation of an Isaac Bashevis Singer novel entitled The Magician of Lublin. Golan was responsible for the musical The Apple (1980), an unusual moral fable with a rock-disco soundtrack which appears on a number of lists of all-time-worst movies, but has developed a following as a cult film.[4]
Golan's production company, The Cannon Group, produced a long line of films during the 1980s and early 1990s, such as Delta ForceRunaway Train, and some of the Death Wish sequels. In 1986, Cannon was taken over by Pathe Communications. Golan produced several comic book-style movies in the latter half of the 1980s, perhaps most notably Masters of the Universe, based on the toys of the same name and inspired by the comics work of Jack Kirby.[5] In 1987, Cannon gained infamy after their U.K.-based production of Superman IV: The Quest for Peace failed in theaters and provoked a negative backlash from fans. In 1989 Golan resigned from Cannon, and by 1993 it had folded. Immediately following Cannon's collapse, Golan became head of 21st Century Film Corporation and produced several medium-budget films.
Golan was hoping to film Spider-Man in 1986 at Cannon studios in United Kingdom, and shoot the exteriors in Tel-Aviv, Israel. Dolph Lundgren was envisioned as theGreen Goblin and Spider-Man creator Stan Lee was approached to cameo as J. Jonah Jameson.[6] Golan struggled for years to produce the Marvel Comicscharacter, but failed after 21st Century Film Corporation went bankrupt and folded in 1996 (along with Carolco Pictures, another production company that had agreed to help Golan finance the film). Sony Pictures eventually got the Spider-Man rights and produced the first film in 2002. In 2002 he released his adaptation ofCrime and Punishment.

Personal life[edit]

Golan was married and had three children.[3]

Death[edit]

Golan died while visiting Jaffa, Tel Aviv with family members in the early hours of August 8, 2014.[7] Ambulances immediately rushed to the scene, and following attempts to resuscitate him, paramedics pronounced him dead.[7] He was 85 years old.[8]

Filmography as director[edit]

1960s[edit]

1970s[edit]

1980s[edit]

1990s[edit]

  • Zebrácká opera (1991)
  • Hit the Dutchman (1992)
  • Silent Victim (1993)
  • Deadly Heroes (1993)
  • Superbrain (1995)
  • Russian Roulette - Moscow 95 (1995)
  • Die Tunnelgangster von Berlin (1996)
  • 1998 Lima: Breaking the Silence (1998)
  • Armstrong (1998)
  • The Versace Murder (1998)

2000s[edit]

  • Death Game (2001)
  • Crime and Punishment (2002)
  • Open Heart (2002)
  • Final Combat (2003)
  • Days of Love (2005)
  • A Dangerous Dance (2007)
  • Marriage Agreement (2008)

Awards and commemoration[edit]