Tuesday, April 30, 2013

A00006 - Lili Boniche, Andalusian-Arab Singer

Lili Boniche

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Lili Boniche (Élie Boniche - b. 1921 - d. March 6, 2008), born to a Sephardic Jewish family in the Kasbah area of Algiers, was a singer of Andalusian-Arab music. He died in Paris. In addition to writing music for commercial release, he also was a film composer.[citation needed]

[edit] Discography

  • Alger, Alger , Roir Records/E1, February 16, 1999
  • Œuvres récentes , APC Play it Again Sam, 2003
  • Il n'y a qu'un seul Dieu (live à l'Olympia), East West Warner Music France, 1999
  • Trésors de la chanson judéo-arabe, Créon Mélodie

Friday, April 26, 2013

A00005- Allan Arbus, M*A*S*H Psychiatrist

Allan Arbus

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Allan Arbus
Born(1918-02-15)February 15, 1918
New York City, New York,
United States
DiedApril 19, 2013(2013-04-19) (aged 95)
Los Angeles, California, United States
OccupationActor, Photographer
Years active1961–2000
Spouse(s)Diane Arbus (1941–1969; divorced; 2 children)
Mariclare Costello (1977–2013; his death; 1 child)
Allan Franklin Arbus (February 15, 1918 – April 19, 2013)[1] was an American actor notable for his role as psychiatrist Dr. Sidney Freedman on the television series M*A*S*H.

Contents

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[edit] Early life

Arbus was born in New York City, of Jewish background,[2] the son of stockbroker Harry Arbus and his wife Rose (née Goldberg).[3] He attended DeWitt Clinton High School in the Bronx, where he first developed an interest in acting while appearing in a student play.[4]
Arbus was also a music lover. Before becoming an actor, he was reportedly so taken by Benny Goodman's recordings that he took up playing the clarinet.[4]

[edit] Photography career

During the 1940s, Arbus became a photographer for the United States Army. In 1946, after completing his military service, he and his first wife, photographer Diane Arbus (née Nemerov, whom he had married in 1941), started a photographic advertising business in Manhattan. Arbus was primarily known for advertising photography that appeared in Glamour, Seventeen, Vogue, Harper's Bazaar, and other magazines, as well as the weekly newspaper advertising photography for Russek's, a Fifth Avenue department store owned by Diane's father.[5] Edward Steichen's noted photo exhibition The Family of Man includes a photograph credited to the couple.[6] The Arbuses' professional partnership ended in 1956, when Diane quit the business; the couple formally separated three years later. Allan Arbus continued on for a number of years as a solo photographer, but was out of the business by the time the couple divorced in 1969.
Diane and Allan Arbus's studio/living quarters were at one time at 319 East 72nd Street in New York City. Their neighbor and friend was Robert Brown, an actor on the TV show Here Come the Brides.

[edit] Acting career

After the breakup of his first marriage and the dissolution of his business, Arbus decided to leave photography behind and pursue a new career in acting. In 1969 he moved to California.[7] His new career took off after he landed the lead role in Robert Downey Sr.'s cult film Greaser's Palace (1972), in which he appears with Robert Downey, Jr. (who would go on to star as Diane Arbus's muse in Fur, a fictional account of the end of the Arbuses' marriage). Arbus also starred opposite Bette Davis in Scream, Pretty Peggy in 1973, and was featured as Gregory LaCava in W.C. Fields and Me in 1976. These roles led to his casting as Maj. Sidney Freedman on M*A*S*H, although in an early episode, "Radar's Report" (1973), he was called "Milton Freedman".
Arbus's work on M*A*S*H helped his career as a character actor, and he eventually appeared in more than 70 TV shows and movies.[8] He appears briefly in the 1973 film Cinderella Liberty as a drunken sailor; another 1973 film, Coffy (starring Pam Grier), features Arbus as a drug dealer with strange sexual needs; in the 1978 movie Damien: Omen II, he plays Pasarian, one of Damien's many victims in The Omen trilogy.
Arbus is far better known for his television work, which includes over 45 titles and works as recent as Curb Your Enthusiasm in 2000.[8] Among Arbus's non-M*A*S*H TV work are guest and recurring roles in such television series as Law & Order, In the Heat of the Night, L.A. Law, Matlock, Starsky and Hutch, and Judging Amy.

[edit] Personal life

Allan and Diane Arbus had two children, photographer Amy Arbus and writer and art director Doon Arbus. The couple separated in 1959 and divorced in 1969, two years before Diane Arbus's suicide in 1971.
Arbus married actress Mariclare Costello in 1977. The couple have one daughter, Arin Arbus.
Arbus died of congestive heart failure on April 19, 2013, in Los Angeles. He was 95.[1]


Allan Arbus, Psychiatrist With Zingers on ‘M*A*S*H,’ Dies at 95

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Allan Arbus, who left the successful fashion photography business he and his wife, Diane, built to become an actor, most memorably playing the caustic psychiatrist Maj. Sidney Freedman on the hit television series “M*A*S*H,” died on Friday at his home in Los Angeles. He was 95.
CBS
Allan Arbus in a scene from “M*A*S*H."
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Amy Arbus, his daughter, confirmed his death.
Mr. Arbus appeared in films like “Coffy” and “Crossroads” and was a TV regular during the 1970s and ’80s, appearing on “Taxi,” “Starsky & Hutch,” “Matlock” and other shows.
But his best-known role was Major Freedman, the liberal psychiatrist who appeared in a dozen episodes of “M*A*S*H.” He treated wounds of the psyche much as Capt. Hawkeye Pierce treated surgery patients: with a never-ending string of zingers.
Alan Alda, who played Hawkeye, recalled Mr. Arbus as a very believable therapist.
“I was so convinced that he was a psychiatrist I used to sit and talk with him between scenes,” Mr. Alda said in an interview with the Archive of American Television. “After a couple months of that I noticed he was giving me these strange looks, like ‘How would I know the answer to that?’ ”
Allan Franklin Arbus was born in New York City on Feb. 15, 1918. He attended DeWitt Clinton High School and entered City College at 15. He left college a year and a half later for a job at Russek’s Department Store, where he met Diane Nemerov, the daughter of the store’s owners.
They married in 1941 and became passionate about photography. They shot fashion photographs for Russek’s before Mr. Arbus left to serve as a photographer in the Army Signal Corps in Burma during World War II. When he was discharged in 1946 the Arbuses established a studio on West 54th Street for fashion photography and soon won a contract from Condé Nast to supply photos for magazines like Glamour and Vogue.
In 1956, Ms. Arbus dissolved their business partnership to work full time on her haunting shots of marginalized people. Mr. Arbus continued to work in fashion photography but also took up acting.
The Arbuses separated in 1959 and divorced in 1969, when Mr. Arbus moved to Los Angeles. Ms. Arbus committed suicide in 1971. In 1976, Mr. Arbus married Mariclare Costello. She survives him, as do his two daughters from his first marriage, Amy and Doon; and a daughter from his second marriage, Arin Arbus.
Mr. Arbus’s last television role was on the HBO series “Curb Your Enthusiasm” in 2000.

Thursday, April 18, 2013

A00004 - Carmen Weinstein, Leader of the Jews of Cairo

Carmen Weinstein, Who Led the Jews of Cairo, Dies at 82

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CAIRO — Carmen Weinstein, the leader of Cairo’s small Jewish community and the driving force behind the restoration of Maimonides’s yeshiva and other monuments of Egyptian Jewish history, died on Saturday at her home here on the island of Zamalek. She was 82.
Samir W Raafat , via Associated Press
Carmen Weinstein in Cairo.
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Her death was announced by the Jewish Community Council of Cairo, of which she was president.
Ms. Weinstein refused to accept that Egypt’s once-vibrant Jewish community was dying out, even if its ranks had dwindled to just a few dozen elderly people from more than 80,000 six decades ago. “We are still in Cairo despite what everybody says,” she told a Los Angeles Times reporter 11 years ago.
When the Historical Society of Jews From Egypt, an American group based in Brooklyn, sought help from Congress to remove historical artifacts and prayer books, known as seforim, to the United States for safekeeping, Ms. Weinstein resisted, saying she would ignore the society’s “insensitive letters referring to our inevitable extinction.”
Instead, in 1997, she persuaded the government to classify the Jewish artifacts as Egyptian antiquities, preventing their sale or export. “Taking the Jewish seforim, books and records out of Egypt is tantamount to saying that Egypt should demolish the pyramids and the Temple of Luxor because there are no pharaohs left,” Ms. Weinstein said.
She pronounced herself unflustered by any hostility from her Muslim neighbors over tensions between Israel and the Arab world. “We have no troubles and we don’t talk politics,” she curtly told The Associated Press during Israel’s 2009 war against Palestinians in the Gaza Strip.
President Mohamed Morsi, of the Muslim Brotherhood, issued a statement mourning the loss of Ms. Weinstein. “She was a dedicated Egyptian who worked tirelessly to preserve Egyptian Jewish heritage and valued, above all else, living and dying in her country, Egypt,” he said.
Ms. Weinstein was born in Cairo in 1931, during the era of the British-backed monarchy, when Jews were integrated into society as merchants, bankers, artists and professionals. Her father owned a print shop. She attended French and English schools, studied English literature at Cairo University, and earned a master’s degree at the American University in Cairo. Like others in the Egyptian elite, she was fluent in French, English and Arabic.
Ms. Weinstein was 22 when her father died, in 1953. She took over the print shop with her mother, Esther. They were aided by a younger sister, Glorice, a psychoanalyst in Geneva who survives Carmen. Ms. Weinstein married, but her husband died years ago and she had no children, said Magda S. Haroun, a friend.
The death of Ms. Weinstein’s father came at a turning point for Egyptian Jews — a year after a military coup overturned the monarchy and a year before the coup leader, Col. Gamal Abdel Nasser, consolidated power in his own name. Jews had begun leaving Egypt in large numbers during the Arab war with Israel in 1948. Nasser began expelling them. By the end of Egypt’s wars with Israel in 1967 and 1973, only a few hundred remained.
The Weinstein women were among the holdouts. By the mid-1990s, the remaining Jewish men had mostly died off or moved away. Carmen Weinstein spearheaded a 1996 change to the bylaws of the Jewish Community Council, enabling her mother to become its first female president. After her mother died in 2004, Ms. Weinstein took over.
Ms. Weinstein had already distinguished herself as a dogged preservationist. She was best known for her struggle to save the Jewish cemetery at Bassatine from the vandals, squatters and decay that have plagued Egyptian cemeteries of all kinds. It is one of the oldest Jewish cemeteries in the world, and she sometimes used her own money to pay squatters to depart. She will be buried there.
Ms. Weinstein also worked to persuade the government to restore some of Cairo’s historic synagogues. In 2010, she presided over the restoration of the synagogue and yeshiva once led by Moses Maimonides, a 12th-century Spanish Jew who settled in Cairo, led its Jewish community and became one of the most influential theologians in the history of Judaism.
Ms. Haroun said the community of Egyptian Jews in Cairo now numbered fewer than 21, all of them women. A similar community survives in Alexandria, she said, but that group includes one man, who serves as the local council president there.
Last month, Ms. Weinstein presided over the annual Passover dinner in a hall of the main synagogue in downtown Cairo. Egyptian Jewish women filled two tables, and they were joined by as many as 50 Jewish expatriates, non-Jewish supporters and foreign diplomats.